Ludwig van Beethoven (1770-1827) was a genius so universal that his popularity, extraordinary even during his lifetime, has never ceased to grow. It now encircles the globe: Beethoven's most famous works are as beloved in Beijing as they are in Boston. Edmund Morris, the author of three bestselling presidential biographies and a lifelong devotee of Beethoven, brings the great...(展开全部)

At the turn of the twentieth century, students returning from abroad brought Beethoven to China. The composer's perseverance in the face of adversity and his musical genius resonated in a nation searching for a way forward. At the turn of the twentieth century, students returning from abroad brought Beethoven to China. The composer's perseverance in the face of adversity and hi...(展开全部)

马丁·戴维斯是计算机科学发展史上的先驱人物，其《可计算性与不可解性》一书被誉为计算机科学领域极少数真正的经典著作之一。他是纽约大学库朗数学科学研究所的荣誉退休教授，目前在加州大学伯克利分校做访问学者。

马丁·戴维斯是计算机科学发展史上的先驱人物，其《可计算性与不可解性》一书被誉为计算机科学领域极少数真正的经典著作之一。他是纽约大学库朗数学科学研究所的荣誉退休教授，目前在加州大学伯克利分校做访问学者。

Reproduces an eighteenth-century catalogue depicting the different calligraphic styles used by English engravers and lithographers.

In this interpretation of the composer's life and works, Beethoven scholar Lewis Lockwood interweaves the composer's musical and biographical dimensions and places them in their historical and artistic contexts. Written for the lay reader, this book explores the special problems that Beethoven faced as an artist who fulfilled his destiny as Mozart's sucessor while remaining a t...(展开全部)

An authoritative work offering a fresh look at Beethoven’s life, career, and milieu. “Magisterial” — New York Review of Books . This brilliant portrayal weaves Beethoven's musical and biographical stories into their historical and artistic contexts. Lewis Lockwood sketches the turbulent personal, historical, political, and cultural frameworks in which Beethoven worked and exam...(展开全部)

作者：阿多諾(Theodor W. Adorno) 阿多諾(Theodor W. Adorno, 1903-1969)，德國哲學家、社會學家、美學家、音樂學家、作曲家，「法蘭克福學派」主要成員，在上述各領域影響深遠，著有《啟蒙辯證法》、《現代音樂的哲學》、《多稜鏡：文化批判與社會》、《否定的辯證法》、《美學理論》。 譯者：彭淮棟 新竹縣竹東鎮人，東海大學外文系畢業，台灣大學外文研究所肄業，曾任出版公司編輯，現任報紙編譯。譯有《後殖民理論》、《意義》、《俄國思想家》、《自由主義之後》、《西方政治思想史》（麥克里蘭）、《鄉關何處》、《現實意義》、《美的歷史》、《醜的歷史》、《貝多芬：阿多諾的音樂哲學》、《音樂的極境：薩依德音樂評論集》、《論晚期風格：反常合道的音樂與文學》等書。